The hero of this 1922 masterpiece is a twentieth-century Italian aristocrat who, after a riding accident while impersonating the eleventh-century Henry IV from medieval Germany, awakes believing his fantasy is real. Italy's great dramatist presents a hilarious examination of the hall of mirrors that is human existence, a tightrope walk on the fine line between reality and delusion, love and hate.
| Barone Tito Belcredi.... |
Michael Nichols
|
| Berthold.... |
Michael Stewart Allen
|
| Carlo Di Nollo.... |
Geoff Wilson
|
| Doctor Dionysius Genoni.... |
Herman Petras
|
| Enrico Iv.... |
Sherman Howard
|
| First Page.... |
Jason Bohon
|
| Frida.... |
Jenny Gravenstein
|
| Giovanni.... |
Robert Hock
|
| Harald.... |
Kevin P. Rolston
|
| Landolph.... |
Jeffery M. Bender
|
| Marchesa Matilda Spina.... |
Vivienne Benesch
|
| Ordulph.... |
Jay Leibowitz
|
| Second Page.... |
Mark Thornton
|
| Directed by |
Bonnie J. Monte
|
| Costume Design by |
Hugh Hanson
|
| Lighting Design by |
Shelly Sabel
|
| Sound Design by |
Richard M. Dionne
|
| Production Stage Managed by |
Patti McCabe
|
| Set Designed by |
Charles T. Wittreich Jr.
|